Review | Collection

Abu_Jani_Sandeep_Khosla_ LFW_ 2015_lakme_fashion_week_winter_festive_white_gown_sequinThe opening night of Lakme Fashion Week saw Abu Jani Sandeep Khosla Winter Festive 2015 collection. Titled ‘Jawani Jaaneman’, the collection was inspired by 70’s and 80’s Bollywood fashion. The Abu Jani Sandeep Khosla designs take their inspiration from disco and hippie cultural styles that were prevalent in that era.

Abu Jani Sandeep Khosla designs typically have lots of glamour and extravagance – at times feminine and at times opulent. This time, however, it seems that their designs have taken a turn that is neither.

Some of the pieces were shimmery kaftans in gold fabric draped loosely over masked models. They fell above the ankles, with a mix of sheer and opaque gold fabric, costume-like in appearance. The tunics exhibit a complete lack of structure which is difficult to place even in the 70s era when women liked to use broad belts to add shape to their garments, sometimes even went as far as making them skin-tight. Although you could compare them to men’s fashion of the middle ages. I guess the line for this would be – fabric alone does not make fashion, and title alone does not make a theme. It is the cut, the pattern that manipulates its style – that’s what makes fashion.

The show was reminiscent of 80s Bollywood in that its presentation was a performance. Fashion is an art, and Bollywood is all about entertainment. But a show does not make a collection, it is the collection that makes a show. I am wearing this dress because its fashion show was dramatic, said no it-girl ever.

Abu_Jani_Sandeep_Khosla_ LFW_ 2015_lakme_fashion_week_winter_festive_gown_sequin_jawani_janeman_collection_gold_mask

“… But a show does not make a collection, it is the collection that makes a show. I am wearing this dress because its fashion show was dramatic, said no it-girl ever.”

Other silhouettes by Abu Jani Sandeep Khosla included floor-touching gowns cinched at the waist in eggshell, off-white, grey and cream with sequins, stone-work and thead-work in gold and silver. Some were short layered dresses with flouncy skirts, some slashed midis and some ankle-length. Menswear ranged from sheer kurtas to dress-like robes to ruffled shimmery gold shirts.

Only a few were saviours. One was a minimalist collared pencil-gown in eggshell with gold sequins and a net cape (above). The model’s heavy eyebrows over overly glittery eye-shadow is an interesting take on makeup that is wearable and pretty at the same time.


Shilpa Ahuja a designer and entrepreneur. She is the editor-in-chief of, which she founded with the goal of inspiring confidence in the modern working woman through fashion. Fashion has traditionally been for the rich, white, thin woman. That's how it evolved over centuries and that's how it's been represented in fashion media. But Shilpa believes that with the changing role of women in the society, fashion has changed, too. She believes that fashion is for everyone, regardless of their age, gender, color, body type and background. So she translates runway fashion into easy style advice that one can incorporate into their daily lives. Shilpa's work has been published in the University of Fashion blog and Jet Airways magazine. She is also an artist, illustrator and cartoonist. She is also the creator of Audrey O., a comic series that represents the lifestyle of millennial women. She enjoys creative writing and world travel. Her art has been exhibited at Harvard Graduate School of Design and the Aroma Hotel, Chandigarh and been published in Chandigarh Times. Originally from Chandigarh, Shilpa also has a professional degree in architecture and has worked in interior project management. She is also the author of the book "Designing a Chinese Cultural Center in India". Shilpa has a Masters in Design Studies degree from Harvard University. For feedback and questions, please email